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Véronique Leroy Fall 2025: Return of Pattern

2025-03-13 00:00:25 source:Jewellery
From The North Face, this jacket features:Stand collar necklineAttached hoodie with a drawcordLong sleevesSecure-zip hand pocketsDry Vent 2L shellNon PFC DWR finish helps keep you dryHeatseeker Eco synthetic insulation made with hollow core fibers for added warmthWaterproofHeat transfer logo on left chest and back right shoulderFully linedStandard fitStraight hemlineCenter front zip closureApprox. 28#double; lengthRecycled polyester taffetaMachine wash/tumble dryImported.The Women s Carto Triclimate Jacket is a waterproof, breathable, and windproof DryVent 2L shell paired with a zip-out, insulated liner jacket. It has the features and performance to keep you comfortable in almost any condition.

Véronique Leroy Fall 2025: Return of Pattern

Versace Kids logo-embellished Cotton Track Pants Grey

From Antonio Melani, this dress features:Floral burnout fabricationA-line silhouetteHalter necklineSleeveless3D rosette detailFully linedFlounce hemlineMaxi lengthSide seam zipper with hook & eye closureApprox. 45#double; lengthViscose/nylonProfessional dry cleaning onlyImported.

Drop Crotch Pants

Versace Kids logo-print track pants mint green cotton ribbed waistband logo print at the leg graphic print to the front rear patch pocket ribbed cuffs Made in Italy The origin of the goods may vary from batch to batch. Please refer to the actual product. Composition Cotton 100% The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed. Washing instructions Hand Wash The washing method is subject to the commercial washing standard Product IDs FARFETCH ID: 19296762 Brand style ID: 10003451A05553

For her first runway show since the pandemic, Véronique Leroy kept her collection close to home, all the while looking to the East. The Belgian designer, who first presented in Paris in 1983, kept the continuity by using many of the same fabrics and techniques she used back then, such as wool, chunky knits and waterproof nylon. At the same time, she went far afield for an injection of novelty in pattern. Leroy collaborated with the Li ethnic group from China’s Hainan province to use their traditional Lijin brocade and embroidery motifs. She reworked them a bit and blurred them, blew them up and shrunk them down, on sweaters, coats and column dresses. For shapes, she stuck to the classics. “I prefer to read the same book 10 times. If I leave it and come back, every time I see it differently,” she said. “We always have a new eye because we are so influenced by what is happening and what surrounds us [at the current moment].” To further this point, she transformed the silhouettes with precision, such as diamond-shaped shoulders and hip points that jutted from the body. On dresses this tailoring trick nipped the waist but did not add volume at the hips; on coats and dresses it added almost Elizabethan pouf and flounce to sleeves. Leroy worked in a more muted pattern of chocolates and grays than is her wont, and the streamlined palette highlighted the print. Accessories were revisits of shapes past, including large spherical bracelets, left in their metallic state or covered in coordinating fabric. The designer said she returned to the runway after five years simply because the time felt right, and she wanted to go deeper with this new collaboration than a film or book, which is how she has presented since the pandemic. There were soft cushions, too, embroidered with the Lijin motifs, to comfort the weary fashion week flock on the last day of the week. It was all very soothing.

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